If every poet’s work has its chromatic wavelength, one that could be played on Rimbaud’s mystical organ for synaesthetic vowels, then Georg Trakl monopolizes the far end of the spectrum, lilac shading into violet into intense near-blackness…
If every poet’s work has its chromatic wavelength, one that could be played on Rimbaud’s mystical organ for synaesthetic vowels, then Georg Trakl monopolizes the far end of the spectrum, lilac shading into violet into intense near-blackness…